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The Journey thus far



I've taken a few days off from practice to deal with various other matters.  It's a very strange process indeed when you are your own teacher on an instrument with no set rules.


Trying to balance possibilities of techniques with limited time to devote to developing muscle memory along the way is quite the challenge. Scales for both hands combined (in variation of fingering) Scales for left and right hand with great variance.  Having thumbs to target notes is an odd development for a guitarist.  Everyday I set aside time for scales. Time for the left and time for the right. playing out the various positions in one, two and three (even four) octave runs.  There is little joy for me executing a simple scale nut it's a matter of building foundations for future playing.  I've spent no time playing the guitar or other instruments since acquiring the Linn.  It's that addictive.


I had purchased the upgrade to Guitar Pro 6 as it has settings that allow for eight strings. I thought that having gp6 might be useful writing my own exercise regiments and other things.  I was wrong.  Firstly Even though I can set up the linn for channel per row (as midi guitars are set up) GP6 refuses to accept 8string channel input. So It's back to number pad and cursor buttons in order to input tab scores.  Secondly GP6 refuses to convert piano scores into tablature.  GP6 has turned out to be a huge waste of time and effort and money in regards to developing exercise material.  BIAB has limited fretboard arrangement.  I'm left with.... Standard Notation for practice material.  Yes I can read notation but I'm slow as molasses in winter at it.  I haven't had to read notation in a good 15 years or more.


Oddly I've disabled some of the Instrument feature for now.  I'm more about developing a organ/piano type of approach to the instrument. Without bend / slide and pressure sensitivity (yes velocity works without afterpressure pressure sensitivity) It becomes a more stable more uniformed control It also is much more the feel and expression one might attain on an actual piano (sort of).  


In regards to finding material other then scales.  I've dabbled slightly in jazz standards but admit I've got a long way to go. It's all about developing the muscle memory first.  I've got a certain disdain for classical music that can't be wiped from my soul.  Nonetheless the Bach preludes are proving themselves to be quite handy.


When I first saw an image of starr labs z-board (same concept although it came out in 1990) my heart was aflutter.  I'd dream of playing it night and day knowing I could never afford the $6000 price tag. Oddly the z-board still has more features then the linnstrument. .And I believe it to be easier to play due to the smaller "keys".  I'm finding that new frontiers (at least for me) take a lot of time to get there.


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