Jump to content

Your Ad Could Be Here

Search the Community

Showing results for tags 'Recording'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Getting Started
    • Introduce Yourself
    • Site Shortcuts
  • Member Music
    • Collaborations
    • Covers & Remixes
  • Critique
    • Lyric Critique
    • Song Critique
    • Covers and Remixes
    • Video Critique
    • Poets' Corner
    • Music Marketing Critique
  • Challenges
    • Writing Challenges
    • Music Marketing Challenges
  • Discussion
    • Musician's Lounge
    • Songwriting
    • Performance
    • Music Production and Recording
    • Videos and Images
    • Music Industry
    • VST and VSTi
  • Other Forums
    • Advertisements
  • Site Information
    • Site Stuff
  • Singer-Songwriter's Performances
  • Singer-Songwriter's Topics
  • Music Marketing and Promotion's Topics
  • Electric Knights's Feature Me
  • Electric Knights's Music
  • Electric Knights's Chat
  • Electric Knights's Discussion
  • Know Nashville's Topics
  • Red Circle 7 Records's Forum
  • Yard Getty's The Yard
  • Yard Getty's Feedback
  • SVCA's ✍️ General Forums
  • SVCA's 🔥 Vocal Challenges 🔥
  • Studio One Users's Discussion
  • Studio One Users's Tutorials
  • A Piece of Cake(walk)!'s Topics & Posts
  • Music Video's Topics
  • Native Instruments's Discussion
  • Streaming Live's Topics
  • Tiny Tunes HQ's General Discussions
  • Tiny Tunes HQ's Member Collections
  • Logic Pro X Ins/Outs's Topics
  • Logic Pro X Ins/Outs's Logic Pro X: The Complete Guide to Recording Vocals & Mixing in Studio Quality

Calendars

  • Community Calendar
  • AIM Events
  • Music Festivals
  • Trade Shows
  • SVCA
  • PMA Events
  • Events and Confrences
  • Music Marketing and Promotion's Events
  • Know Nashville's Events
  • Red Circle 7 Records's Events

Blogs

  • John Moxey's Blog
  • Rudi's Blog
  • Steve's Blog
  • Pahchisme Probes
  • From the Gut.
  • Hope4Peace's Blog
  • Dahlnotes
  • Jigsaw Sequence
  • Bobo's Place
  • OliviaLynn's Blog
  • typo's cosmic space blog
  • Desertrose's Blog
  • Diary of a funkeegirl ;)
  • Learning to Live
  • dlady101's Blog
  • a vlog about philosophical questions of songwriting
  • The Writer's Blog
  • Logan At Sea
  • xXxMagicalYamBagxXx's Blog
  • MusicTales.club
  • How i see it
  • Afiqme's Blog
  • Where It Starts
  • Guitargodchris's Day to Day Scribbles
  • sonnerie123
  • Rohan's Glog
  • lemonstar's Blog
  • From Scratch
  • Peggy's Picks from YouTube
  • Generation Gap
  • Dakota Cochran - Music Marketing Tips and How To
  • Songstuff Stuff
  • Original Song Submission
  • Dsmvwld
  • Cover Song Submissions
  • neoistory
  • Mix It Up
  • Where Ghosts Are Born
  • lownotes
  • Betrayal
  • Rai's Blog
  • In My Time Of... Punishement
  • If All Els Failes Blog
  • WebnRetail
  • Influences
  • RuneViolin's Blog
  • Jim Colyer
  • Blog O' Ben
  • The Wolf's Den
  • Amy's Blog
  • Music Industry News and Stuff
  • Dayjobber's Blog
  • Somnath
  • baseballnumber2's Blog
  • Susan Scava blog
  • sweeterstudios' Blog
  • Diary of the unexplained - Personal Blog
  • gabrielle12's Blog
  • emotion & words
  • LYNZEE : Retrospect Recording Artists 2009 Blog
  • Writing & recording: from start to finish in 20 years
  • Tydas' Blog
  • Ash2214's Blog
  • JoylissaVleck's Blog
  • twbanter's Blog
  • 🎵 Random Thoughts 🎵
  • viccolgold's Blog
  • Rewire the Voice (A Modern Vocal Approach)
  • Hope4Peace's Blog (PRIVATE CLUB)
  • From in the streets, to industry!
  • lwj001's Blog
  • Virtual Studio Musicians
  • Brody Brown's New Release
  • indieshoegazer's Blog
  • The Road to Change
  • Industry News
  • Site Development
  • Chokai's Blog
  • Kira Stuart's Blog
  • Biskitbass' Blog
  • whats in a lyric
  • The Real Life of Isis
  • sunnyfender's Blog
  • traite's Blog
  • Drum Maris
  • Christian Lyrics
  • BRIANIRELAND's Blog
  • Cheryl's Blog (Vocals/Songwriting)
  • Hallowgurl's Blog
  • A Producers Life!
  • Lindsay's Blog
  • FinnArild's Blog
  • Music Publisher :D
  • Dee's Blog
  • kisswithguns' Blog
  • Dee's Blog
  • My Guitar Made Easy
  • auralscapes blog
  • Musings
  • Fluffy's Blog
  • Hecticity
  • Jonohh's Blog
  • ImaG2's Blog
  • musicthom's Blog
  • musicthom's Blog
  • I have a witty title for my blog
  • PianoPlonker
  • GiantTom's Blog
  • Sam's Sing Along Blog!
  • Melody Road
  • JimBruno's Blog
  • JimBruno's Local Blog
  • flyaway's Blog
  • BristolStudios' Blog
  • Making Music
  • justsoulin's Blog
  • Live on the Wire
  • Prometheus' Blog
  • A Soul's Trekk
  • joshm9's Blog
  • IainSanford's Blog
  • Sam's Blog!
  • RemainingDaysMusic's Blog
  • Summer's Blog
  • Guitar Blog
  • &soyeah
  • Serenity's Blog
  • Kerryn's Blog
  • ANUBIS' Blog
  • JaredSteppBand's Blog
  • Terrace Avenue
  • Jazz, Blues singer Cheryl Hodge heads for Hollywood
  • Thoughts
  • Thoughts
  • All We're After Is A Little Recognition- Petewentzsgirl7913's blog (:
  • Selling Music Online Blog
  • Tuned Heart & Flaming Tongue
  • TapperMike's Blog
  • Just talking about some music...
  • Lyric Dump!
  • Ambient Art
  • Elise L Anderson's LyrKICKS
  • Audrey's Blog
  • Singwriter's Blog
  • patrickgfrank's Blog
  • mortalache's Blog
  • findd3gold's Blog
  • UnderstandingMusic's Blog
  • The Views of Me
  • Songs, snaps and science
  • Is this rap any good?
  • Dan De Santis' setlists and info.
  • New AUSTRALIAN grunge roots artist: The NbC
  • Kelisms
  • The Song, The Story...
  • LayneGreene's Blog
  • Just1L Blog
  • Zson's Blog
  • Scotto's Place
  • majed's Blog
  • nateman95's Blog
  • Tally's Blog
  • The Linnstrumentalist
  • DatDudeJR's Blog
  • The Voices from the background
  • LilCrane1203
  • Sensen Caro's Blog
  • And I Want These Words to Make Things Right
  • Miss T's Blog
  • Lyric Happy blog
  • Kesse - Two Eyes
  • Ravindra K Kapoor
  • Shadowkitten's Lyrics From The Basement
  • Fezziwig's Blog
  • Mags
  • My Metal Songs
  • TempestaGrey's Blog
  • Original Songs
  • Into the mind of a stranger
  • OhioGuitarMan's Blog
  • Jackrustedapple's Blog
  • Team Songstuff's Blog
  • Get your songs reviewed :D
  • IKONE's Blog
  • xkaitlynxarmourx's Blog1
  • Musomox Playlists
  • Gary Yeomans Blog
  • IGABIT's Blog
  • etif's Blog
  • LooknGlass Reflections
  • Insane Beatz
  • Eurasio Media
  • Summer Dawn's Blog
  • JoeBennettMusic's Blog - From Writing To Recording
  • Symph Music and Musical Philosophies
  • kxylxxgh123's Blog
  • MazingMaryRocks' Blog
  • Akitorcuator
  • RonPrice's Blog
  • Monster after Midnight
  • Paulettea's Blog
  • TPistilli's Blog
  • Latest Web Articles
  • Surviving the Music Industry
  • Lisa Gates
  • Dr KeyBaG and the Lead Singer
  • Joe Hoe
  • Ray888
  • Singer-Songwriter's Blog
  • Music Marketing and Promotion's Music Marketing Blog
  • Red Circle 7 Staff's Blog
  • Songstuff Street Team's Blog
  • Electric Knights's Blog
  • Songstuff Staff's Blog
  • Songstuff Content Creators's Blog
  • Know Nashville's Blog
  • Red Circle 7 Records's Blog
  • SVCA's SVCA Blog
  • Steve's Secret Playhouse's Blog
  • Protools Users's Blog
  • Streaming Live's Blog
  • Logic Pro X Ins/Outs's Blog

Categories

  • Website
  • Community
  • Songstuff Portals
  • Critique
  • Collaboration
  • Internships
  • Songstuffers (Site Supporters)

Categories

  • Songwriter Interviews
  • Band / Artist Interviews
  • Music Industry Interviews
  • Performer Interviews
  • Producer and Recording Engineer Interviews

Categories

  • Songs
    • Avant-garde
    • Blues
    • Classical
    • Country
    • Electronic
    • Folk
    • Jazz
    • Latin
    • Pop
    • Rock

Categories

There are no results to display.

There are no results to display.

Product Groups

  • Advertising
  • Memberships
  • Music
  • SVCA
  • Ebooks
  • Courses
  • Lessons
  • Advertising Copy
  • Test
    • Parts

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


Paypal.me


AIM


MSN


Website URL


ICQ


Yahoo


Jabber


Skype


Twitter


Facebook


YouTube Channel


Band / Artist Name


Musical / Songwriting / Music Biz Skills


Musical Influences


Interests


SoundCloud


BandCamp


Spotify

  1. Setting up your interface and DAW with Logic Pro X. If you've already purchased or have your audio interface which is the soul of your studio setup, then you've gotten the most important task out of the way. Assuming you already have your Pc or Mac and you have installed Logic Pro X without no error, then you are ready to begin connection/routing your audio interface in your DAW (Digital Audio Work-station). First, Plug your audio interface cable in to your pc/Mac before you open Logic Pro. Tip: After you've installed Logic Pro onto your pc/Mac shutdown. Plug in your audio interface while your pc/Mac is turned off so that when you turn on your pc/Mac your audio interface is connected and in control of your pc/Mac sound card. (helps with making sure your connection has more success rate first time). Logic Pro Startup When Logic Pro is opening it will begin reading hardware, plugins and text data associated with your DAW. If you have any problem and get error message it is usually for installed plug-ins, which is a whole other topic we will discuss in another post. If you have not installed your own VST, DAE, Component (Plug-ins) on your pc/Mac then you'll like be using stock plug-ins installed with Logic Pro during initial installation. If so then Logic Pro should open up to its digital audio work station timeline and editor window. Routing your interface in Logic Pro Make your way to your top left and click on Logic Pro X tab, then preferences, next audio... When you've manage to open up the audio setup window in your DAW then you should see the name of your audio interface's output and input of your device. Make sure your devices input and outputs correctly selected. If so you are good to go and start making professional quality vocals no matter where you are. Tip: WAIT! as an extra to us professionals who know more in-depth about latency or buffer sizes...There's a way to make sure you have no latency issue, (Lagging or delay in live recording time ) Check your buffer size and if your recording vocals the you want to select the lowest buffer size possible which usually for a quality audio interface would be 126 buffer size. you can increase to 256 or 512 based off your interfaces preferences and your experience. 1024 buffer size which is your largest and mainly used for beat production or mixing vocals could be used but again comes with experience of your engine buffer to know your go arounds which we will discuss later on. When recording for the cleanest and fastest signal possible use 126 or 256. Bonus: DAW SETUP: SAMPLE RATE, BUFFER SIZE, AND BIT DEPTH Great Work, Now that you know how to set up your audio interfaces sound card it's time to learn the sauce lol. Recording template set up, plug in chain, busses and routing. I'll save that for the next post for now experiment with the different buffer rates while you rap or sing in the microphone and see which one works better with timing and reaction of your raw vocal to your natural voice.
  2. Here is a short tricks article from this weeks BMI newletter. https://www.bmi.com/news/entry/more-tips-for-better-tracksmore-tips-for-better-tracks?utm_medium=email&utm_campaign=Weekly 259&utm_content=Weekly 259+CID_1e470e84fb886db872360140cbd67b88&utm_source=Email marketing software&utm_term=LEARN MORE
  3. Hello everyone! I'm new at this forum. I hope everyone is well. Recently, I uploaded a guitar cover from Scorpions, Send Me An Angel, one of the best songs by Scorpions. I hope you enjoy!
  4. Hey just joined the forum, mostly for the purpose of discovering what people have been doing during quarantine to still record with friends (some of mine use different daws or none at all). I was planning on hanging out and recording with some friends, but I’m not sure how I’m supposed to do that safely now.
  5. Just starting using a pair of Rode NT5's with directional capsules to record the guzheng. After some experimenting with positions, I've settled on both overhead, one on each side, about 3ft from the instrument. I've added no effects to this recording other than a compressor. What do you think?
  6. There has been progress. I hate the phrase "LIfe getting in the way". It presupposes that life being lived is in some way less valuable than stamp collecting, trout fishing, off road biking, music (whatever your interest is). Truth is, that life is what enriches our interest, through providing perspective, and to a certain extent scarcity. There has been a lot of life since my first post on this blog. Most of it very positive, and things that you wouldn't set aside to force an EP onto an unsuspecting public a few days earlier. But there has been progress. I have five new songs in various states, all in some recorded form. All are needing a lot of editing, trimming and restructuring, but the melodies and lyrical intent are there. I've been experimenting with recording techniques and equipment, trying to find the "sound" for the ep as I have made demos The writing process has been organic, in that I have not forced anything, but just gone into my little recording space and seen what happens. It is working out, and I don't intend developing any of the songs beyond demo until I have decided on the ones to go on the EP. I'm normally a record it once and put it out character. This time I am going to redraft, rewrite, restructure and see what I can achieve. The photo is my writing and demo session yesterday. I used the Zoom R8 as the notebook for recording, so that I didn't overthink things around production, but just captured the raw elements in some kind of arrangement.
  7. Hi all! I have a question which I have been trying to find a clear answer to for a while now... And so far it has been a somewhat frustrating search. I would be delighted if someone can help. I am a musician located in New Zealand, I have a basic studio recording setup at home. I would like to make instrumental recordings of copyrighted songs, and upload them onto YouTube for the enjoyment of others. This will be completely non-commercial and ad-free. What type of permissions/licenses do I need to obtain for this? What's the deal with "fair use" conditions being exempt from copyright? Would my situation fall in that category? Thank you very much, eagerly awaiting your replies.
  8. Hello, I'm new here and my background is recording, mixing, and mastering. I gained all my knowledge through experience, reading, and videos.
  9. Hi guys, first post here. Question. Is the Audio-Technica AT 2020 a good mic to be using for harsh metal vocals? I just bought this thing and am new to recording equipment, so any feedback would be appreciated. Additionally, my budget for a mic currently is around 100-230$. Mic suggestions are welcome, and all that.
  10. Nice to meet all of you!! I'm YBM, come from Hong Kong. I start a YouTube channel, called ybmusicp, actually stands for "ybmusicproduction" I do love music and right now I am trying my best to do different music cover. I re-make the whole cover song from zero and mix, filmed by myself. I hope I will meet friends here.
  11. Hey everyone, new to the site and wondering if anyone has any recommendations on recording performances for YouTube etc. this could be gear, camera angles, tips and tricks, etc. I'll include a link to my second attempt at this.
  12. Here are some songs and beats that i have wrote and recorded at home on protools.I hope that you enjoy them Also if you need any help on putting music to your songs I will be glade to help you out for free. That is what we are here for is to help each other. Samuel Lambert
  13. Hi everyone, my name is Jill. I have been a performing musician/songwriter and recording artist for a good portion of my life, opening for many National Acts in the United States. Now, I am focusing my musical energies on recording and releasing songs as singles. I can play rhythm guitar, bass and drums and sing as well. I am hoping to find musician/engineer/producers to collaborate with via email in modern pop/rock and other crossover genres. I have recently completed a song that I will be releasing as my first single soon and could provide that as a sample for potential collaborators to hear. If you are a musician with great engineering/production skills and want to collaborate on a pro level, feel free to contact me! Look forward to meeting everyone. -J
  14. Hello All! I’m Michelle Margaret a lyricist from Cleveland, Ohio. I just recently worked with a band to create music to my lyrics but now I have no clue what to do. Please help me. Any advice could go a long way. I want to send my songs to bigger artists for them to sing them. I know I need an A&R agent or a producer, but I don’t know how to go about getting one. Writing lyrics has been my passion since I was in 6th grade. Even if I don’t sell any of my songs it would be cool just to get them to be listened to. I’ve attached to this post my facebook page and my sound cloud. Please help! https://www.facebook.com/clevelandlyricist/ https://soundcloud.com/michellemargaret
  15. This is a place to ask question on song writing structure, hooks, how to write, where to find new ideals,and how to get it to the publishers. etc.
  16. ok so i just recorded this really quick. i would really appreciate some advice on setting up and recording vocals, before i record it properly. so what steps did i follow recording 1. i set asio to 128 samples 2. i insert my mic into stereo 1 and 2 in this case. sometimes just into one insert then i pan the vocals with fl balance and a plugging called ADT 3. PUT IN MY BEAT 4. add fx to mix the vocals , im learning to be subtle with it and add final touches after the record because it cant be undone once recorded 5. i record 6.i add a light mix and then i export i'm not sure what level the mic should be etc aswell basically i need a crash course
  17. So I have this cooky idea that the reason I haven't been getting phenomenal mixes is I don't "get it at the source". The biggest reason I think this is because of what happened when I just took my condensor mic, put it in a shoe, placed it in front of my amp with no soundproofing or anything, re-recorded the bass and guitars for a song I couldn't do anything with and suddenly it was just like... there was information to work with, I had WIGGLE ROOM. It seemed like direct-in just had no girth in the sound, it was paper thin. So this has me very curious, if that big of a difference was made sticking a vocal condensor mic in a shoe, how do I REALLY get it at the source? What is like... the sort of, bare bones DIY way to get a foundation going, should I get a shure SM57? Should I get a couple of different mics for variety? Is there some sort of box I should put around my amp? What about sound proofing, should I hang up some foam squares? If this has already been covered in detail just point me to the topic please, thanks
  18. Hey All, I've just started writing an April Audio Blog and have just published the first article: "5 Reason to Record Your Song Today". I hope to continue writing articles on various aspects of song-writing, music, recording etc. What sort of topics do you feel would encourage you as you seek to grow and develop as a song-writer? Are you interested in music tech, recording equipment, songwriting techniques, music promotion etc? Any feedback is much appreciated. You can find it here: https://www.aprilaudio.com/5-reasons-to-...ong-today/ Or on the Facebook page here: https://www.facebook.com/aprilaudiomusic/
  19. Hello guys, I'm at the beginning with covers and recordings, and becouse this is my first recorded cover posted on internet, i would like to hear your opinions, critics and thoughts about my performance, improvisation and the quality of recording (mostly the audio). Thank you so much for your time, have a great day!
  20. I am certainly no techno-genius. A few Christmases ago, my husband purchased a headphone and microphone combination for me as a gift (JVC HA-RX300 headphones and CAD u37 Micorphone). It came with only the instruction to put together the, oh...what do that call that thingy? The spit shield, the plosive softener? Anyway...after much messing around with the computer to have it recognize the new device (and learning to plug the microphone into the back jack, not the front, we finally got the two to work at the same time. So now I have recording ability, but I must go through Audacity. I loaded Audacity onto my computer back a few years ago when I took the PP songwriting course, but used it only for the requirements of the class with no fancy modifications and don't know what all those numbers and adjustments are. I finally figured some things out playing around with it. One of the things I would like to learn is in regard to vocals. I did a sample vocal on it and when my voice gets loud, it has a sort of buzzing or vibration with it. I am sure there is a way to fix that, but I don't know what it is. I'm not even sure I have it properly labeled as reverb, else I'd google it. My stand-by has been a Sony IC recorder, which I love, but lately I've had some collabs where its been requested I send vocals only and the way in which I've used the Sony recorder is to record my vocals along with the music, forcing me to experiment with this new set-up and Audacity. Any help and suggestions are welcome. Be aware that my computer language and such is pretty limited.
  21. Just two days ago Mixcraft released a sales email for price drops. My upgrade from Pro 6 to Pro 7 was $45USD Well worth it. I hate to start off on a negative.... Since I'm using WaveRT and an hdmi output for my audio monitoring the sound is both thin and crackly. That is not the fault of Mixcraft by any measure. Microsoft produces a free alternative to asio and waspi (direct sound) called WaveRT. It's fixed all my latency issues associated with running Win10. However it's not supported by Microsoft which is why many other daw's/hosts refuse to allow it's use for audio / midi. WaveRT will give off crackles if you use another program in the background which taps into audio resources. This doesn't occur if you are only using the host/Daw and close out any programs (including browsers) that may be using the sound card. I plan to try it using my Yamaha THR10 as a monitor/sound card later. (Too much to do today) Because I've covered Mixcraft 6 in great detail in the past I'll concentrate on my findings regarding the Pro7 version. First off... Practically no latency with midi. I've opened up a few of the demo files and played along with some rather extensive pre loaded content. Not even a whisper of latency. Most of this has to do with WaveRT. Though some has to do with a powerful system (Dell i7 3.60 Ghz and 16 gigs of ram. It's simply stunningly fast. Next Mixcraft has added a lot of features borrowed from Ableton Live. Performance view for looping and enhanced quantification, sync and so much more A long time back I was equally fascinated with and frustrated with Ableton live. I'd quite frequently comment that the reason they had crazy cool editing tools was more about how badly it failed with regards to latency in order to get things right the first time. After 10 minutes using performance mode in Mixcraft 7 I've lost any desire to use Ableton Live ever again. M pro 7 pro has added a few virtual instruments and enhanced many of those included. If there is one pet peeve of mine regarding these instruments is lack of fully developed banks./ programs / presets (FXB. While in years gone by I'd love to tweak knobs to find "famous sounds" These days I'm much more content to find a close enough approximation. Like Sonic Projects OPX-Pro I've yet to transfer over my countless third party effects and virtual instruments onto my Windows 10 machine. I often debate which to keep and which to leave behind. Not for storage as much but for ease of access my vst folders are a nightmare.
  22. Hey guys, Zack here, So my band is coming over for rehearsal tomorrow and Im pretty pumped. But I've run into a slight hitch. I own a full 8 piece sound percussion drum set, but I don't have an amazing way to record it. The recording gear I use is an AudioBox USB 2x2 system that came preloaded with Studio One 2 Artist, It works great with my guitar and vocal recording, but what I could find digitally in the drum department was less than savory.. Alternativly, I do have a mic I can record with and worst case scenario just record the whole set with one mic by adjusting the mic placement. But I have not yet tested that theory out yet nor am I positive it will work. And I don't really have the cash to purchase digital drum sounds that sound great and I don't know of a place I can download free ones that sound good. Does anyone have an Idea of what I should or could do? Any and all suggestions appreciated. If there was already a topic on this and I overlooked it I apologize. But I figured it would be best to post my own new topic. And if anyone needs to know we play metal and different things like that. I just need a thick, heavy, classic drum sound if I were to do it digitally. That and I have no experience using digital drum machines or drum machines in general. Thanks in advance, Zack
  23. So, I think that's a tricky one: Someone hires you as a producer, engineer and artist to record a COVER song for him. You are either a freelancer or a studio owner. Who is responsible for obtaining the mechanical license for the song? Is it legit that you just do the job and deliver it (for any use he intends) without any involvement of yourself with the copyright issues?
  24. Having reasonable knowledge on Noise Gates and Expanders goes a long way in making your recordings sound cleaner and more professional, especially when you are recording out of your home studio. While recording, noise may arise due to a various number of factors such as the surrounding environment, electronic equipment used etc. Noise can become very problematic if it is cumalated from a number of tracks in your project. Noise gates and expanders are tools using which the noise can be isolated and removed to a significant extent if used correctly. Though it may vary, some of the basic controls/knobs you would find within noise gates are Release, Attack, Hold and Ratio. The following article takes you through a basic understanding of these various controls to help you on your way in making your recordings sound the way they should sound - awesome. http://www.songstuff.com/recording/article/noise_gates_and_expanders/ Be sure to share and like the article if you find it useful. If you have any questions, feel free to discuss it on the Songstuff Community Forums.
  25. Just made this video, using a Rode Videomic. However, i want to get a more professional recording studio. Can Anybody give me suggestions to improve the audio as well as tell me what studio setup i should use, i have 1000dollar budget https://www.youtube.com/watch?v=otuH89Va9FM
×
×
  • Create New...

Important Information

By continuing to use our site you indicate acceptance of our Terms Of Service: Terms of Use, our Privacy Policy: Privacy Policy, our Community Guidelines: Guidelines and our use of Cookies We have placed cookies on your device to help make this website better. You can adjust your cookie settings, otherwise we'll assume you're okay to continue.