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Found 6 results

  1. The Value of Knowing Your Worth

    "Hey, can you come play my party for free beer?!" "If you come play guitar for me for $50 this time there will be more gigs to follow!" "Do you have some unlicensed or royalty free music I can use for my video?" "I can pay you in (insert social media platform) more followers if you do this for me." Knowing one's value or worth is the best advice I could ever give anybody wanting to jump in this crazy music industry...OK, the end!! Whew, thank goodness you don't have to read anymore! Seems so simple, right? Monetarily speaking, knowing your worth can be an incredible advantage to your career, or not knowing what your "product's" value is can be a horrible disservice to you and your fellow colleagues. This is what I mean. What we do in the music industry whether it be a song writer, jingle composer, player, artist, manager, booking agent, etc. is entirely different than any corporate structure set in any other genre of business. There is no infrastructure to evaluate how much you should be making on a global scale. There isn't a chart on the internet to tell you how much you should be making. That certainly would make it a lot easier. From what I've learned, culture and the city you live in seem to set a standard. Granted I can only speak as an American understanding the evaluation process in music. Los Angles, New York, and Nashville are what I call the big 3. From there I would say the next tier cities could be an Austin, Texas or a New Orleans, Louisiana for example. But the big three usually set the trends in the largest commercialized music markets (Pop, Rock, and Country). They also have more opportunities in all areas of music as well. How much should I charge for my services? It all depends on your culture, city, and what will you gain out of it. In Nashville, a guitar player hired to play some songs have a pretty standard base rate of a local show getting paid $150 and if there is travel involved no less than $200. But I've excepted gigs for a lot less. Even $50! In corporate business suit and tie world they would ridicule you for taking a 75% cut. I don't blame them. Let that percentage sink in. I didn't know what I was doing was undermining a system that would devalue and under appreciate a player that would be well deserved of a base pay of $150. Integrity in the market place is a concept that , in monetary terms, people will know what to expect. Consistency if you will and it even sets a bar predicated to a system that can establish tiers. For example, do those local shows for $150 and when you have the street credit eventually you can make the jump up to $200, then $225, and then so on, and so on!!! Your culture may have something set in place. Maybe? Maybe not? Isn't it funny? Do you ever wonder if somebody slapped a sign on your back that says "will work for free" instead of "kick me!" Know your worth. Set a standard. Educate yourself from other musicians/writers/engineers/blah/blah/ bah. Let those that have walked that path mentor you. Help your community by establishing that your vocation as a creative is important to be worth given money. I had a coffee with a friend when I first started traveling to Nashville. I expressed that I didn't know my value or even when should I take a gig. I still use this rule to this day and I absolutely love it, and I think it applies here. After he mentioned base rates in Nashville he ended the subject by saying, "Two out of three ain't bad." 1. Is the money good? 2. Do you like the music? 3. Are they good people or are they fun to hang out with? "If you can say yes to at least two of those...two out of three ain't bad."
  2. Meet the Songwriter/Screenwriter

    Hi. Andrew Essiet a.k.a. Andy Anies is a renown Songwriter, Screenwriter, Singer in fact Andy is a Music Legend that has practice music for three decades. He has written more than a thousand songs for himself and song seeking artist. Thanks, but let Google tells you more of him.
  3. Hi, are you an artist and want to sell your songs or beats on the internet but don't know how? *** SPAMMING ISN'T COOL. PLEASE CONTACT A STAFF MEMBER IF YOU WANT TO ADVERTISE ON SONGSTUFF *** Hope this helped you and feel free to feedback.
  4. Sorry if this has been discussed before but I searched all of the SongStuff site and surprisingly did not come up with any discussion about "Patreon"... You know that website http://www.patreon.com that is a platform for creative folks to get $ustainable $upport for being creative. Me... I'm and writing, recording, songs and videos now mostly with just the intention of self expression. And IMHO ...the stuff is OK, but far from great. Really I'm just recording my ideas so they don't just disappear. I've got a few friends and family that think the stuff amazing and that I'm a musical genius (which although I sometimes feel like I am I know I"m not) It's been recommended that I set up a Patreon page but I'm skeptical. While it could be beneficial, it may also be counter productive. Patreon seems like a great concept but I can also see the potential of demoralization... maybe because the artist really isn't as great as they thought they were... or even worse.. they are brilliant but just didn't get found, thusly, the attention and $upport they were hoping for. Or maybe they're just OK and need to quit wasting time on stuff like this and go find a "real" job. Your thoughts?
  5. First of all there is 1 or 2 I know that I am certain to be decent. BUT I am curious as to weather this is something lots of you have come across. So far, (baring in mind I have only been gigging for a year), the majority of "promoters" I have met do nothing in the way of "promoting" but are only interested in filling a slot that they have to fill and I am left to fill the seats myself, even if it is a place that I know nobody; which is not what I signed up for. Another thing I have come across is lots of offers such as "Oh yes we will get you playing at this festival... this gig" or just promising something that it seems they make no effort to actually make happen. Wondered what your similar experiences were? Also if there was any tips on how to know if a promoter is genuine or not? Questions to ask them? I don't want to have to say no to everything just in case! Josie
  6. How do you make money with your compositions?