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Found 13 results

  1. Sorry if this is the wrong place to post this. what software do you guys use for recording and editing music? Thanks
  2. VstPluginz.com https://www.vstpluginz.com Over 30yrs Production Experience Over a Decade on Facebook Google & Ebay Download Studio Plugins , DAW & Samples 100% FREE. Database Currently being created. Keep checking and your most wanted plugin or sample pack will eventually be 100% FREE. Or Come and Check out what PREACTIVATED Software is all about 100% FREE 100% FREE Remote Install Provided With Every Purchase Buy 1 Get 1 Free Bonus This Month Only Genuine Products 90% Cheaper Than RRP With 24/7 Install Service & Troubleshooting View genuine Customer Feedback on Our Facebook Group or MainPage https://www.facebook.com/vstking2022
  3. Okay so I was wondering if anyone here could help me find a software that does a specific task....I've been doing music for over 6 years now but I still can't read sheet music and I can barely play a piano at the moment. I have a melody for a song I'm working on in my head but idk what any of the notes are for it...I can sing the melody but that's it. I'm wondering if there is a software that can automatically detect and tell you the notes to something you've played. That would help out a lot. Thanks
  4. I know often it's not about need it's about want. Recently I had a rather large financial burden that wiped out my savings. Faced with limited income I took stock of what I had around me. (the guitars I kept) And my desires for the future. Most importantly my desire for a Line 6 Firehawk FX. I crave the idea of pulling up a magical setting to recreate the sounds I'm used to. But I also live in the real world. Rather then put my playing on hold I've gone back to arranging and playing fingerstyle guitar. When it comes to jazz chord/melody approaches that's a comfortable fit for me. When it comes to finger style playing ala Tommy Emmanuel or Chet Atkins. Well that's rather daunting to me. Nonetheless I'm slowly trying to get comfortable with that style approach. It keeps me focused on what could be attainable rather than seeking gear out which may not be attainable. So my question restated is.... How much gear do you feel you need to feel complete and how much of that is simply desire. If I were in a band my needs would be much more but my skill level or approach wouldn't be as demanding. What's your endgame?
  5. https://thump.vice.com/en_us/article/ableton-live-history-interview-founders-berhard-behles-robert-henke?utm_source=vicefbus I used to be an Ableton Live user. I now use Mixcraft for the features without the headaches. Nonetheless I remember how I felt when I finally figured out how to use live and looked around at all my sequencers, samplers, romplers and synths that I'd spent years and fortunes on. Their relationship is interesting. I won't spoil the story.
  6. A strange thing the music software field. Some companies are good, some great, the vast majority not so much. When they go out of business it's not only the biz (employees etc) that can suffer it's also the consumers. Sometimes they don't need to go out of biz sometimes they are simply acquired such as when Apple bought Camel Audio. CA left everyone who purchased their windows version holding the bag, While Garage Band and Logic got some new toys. If you've been following my story with SZ you know that it's now closed. What we did is set up a care package so that not only purchasers but everyone will get free tools to run the software as long as windows supports it. Granted there are some things that can't be covered in the care package we sent out. And there will be no one like me to follow up when if something goes wrong and people can't/don't follow directions.
  7. ...The result of another discussion over on another thread, I thought it might be interesting to look at the current offerings in recording software and see if there are any clear winners. Things have changed a bit over the last several years in regards to the software available. Not all of us have the means to simply buy multiple programs to try. Thankfully there are several companies that offer free demos to try. Some have decided to try cracked software which I highly advise against for not only the most obvious reasons, but also because you essentially forfeit future supports and upgrades...not to mention that sometimes a company will offer a sweet deal on an upgrade if you possess a registered copy of a lower version of the software, in fact, this has been the way I have upgraded several programs...I waited for a sale which always happens, especially around the holidays. If you happen to be shopping for a DAW or recording software you might have started to notice a trend. When one company adds a feature, the competition usually follows up with something similar, so we end up with many similar feature sets on different programs. What you discover to be best for you might not be best for someone else. How can you know what is best? This all depends on what type of music you plan to make since these programs all have strengths and weaknesses. For the longest time all you would hear was pro toosl, pro tools, pro tools....all of the big players had it and used it. Then Avid almost went bankrupt and are still trying to catch up. People who don't understand the technology might think that when Avid/M-audio announced 64 bit software it was some kind of milestone. Many of the big players had already adopted it years ago...64 bit was simply a sales pitch. Pro Tools has mainly one thing going for it right now. Name recognition, and this is slowly going away as users start to see the offerings of other companies.Many smaller studios have abandoned Pro Tools altogether. Logic is another popular player with the Apple and pro recording crowd. Unlike Pro Tools Apple has a very relevant and capable program. Nothing head and shoulders above the other big players though. The main draw in Logic is that it is designed to run on Apple Computers from the ground up.Another big advantage is that it is inexpensive in the DAW world..something like 199.00...absurdly inexpensive for what you get. If you own an Apple computer you would be hard pressed to do better, and it is cross compatible with the lighter Garage Band. The disadvantage being that it only works with apple computers and you can't load a Pro Tools session into a Logic program..Apple- good system but closed system. Under Logic and Pro Tools come all of the other companies who make software for recording... Here are some questions to ask yourself- Do you want to produce or simply record? Do you plan to use a pro studio to complete a project, or do you intend to bring your music to master yourself? Software is simply a tool to accomplish an end...so why make so much of it? Mainly because decent software and the accompanying DAW can be quite an investment, so it pays to investigate the best for you. If you simply need to get a vocal and a guitar recorded, an iPad might even do just fine with a low cost software app in it or Garage band. It's when you start to look at the music as a production that things get a bit more complicated. A certain level of production is now expected or people seldom even listen to it. Within the first few seconds of a recording most listeners have already decided if they want to continue based on the quality of the recording. Comments welcome!!
  8. Share- Some of the functions you really like about the program you use. Here are a few of mine. I use at least four different music software programs, but I use one more than the others. Sonar X3 Producer is usually my go to program, so for simplicity sake I'll tell you why I like that program. Sonar X3 Producer Pretty much everything is drag and drop. If I want to play a certain software synthesizer I simply drag it into the track area and it loads. Both midi and audio can be freely copied and pasted into any other track. Sonar reads both acid and rex loops and comes with Addictive drums 2 a great drum program by XLN audio. The user GUI is very handy since I can drag and resize any window to anywhere. The explorer where loops, synthesizer, midi and effects directories are located is easy to navigate.The GUI also includes color customization so that I can make tracks in any color I desire. Templates are carried to the extreme in Sonar X3. I can make templates of entire project setups or templates of effects chains both in busses and tracks. Sonar X3 has a dedicated addition on each track called the "Pro Channel". The prochannel has reverbs, EQ, compressors, gates and even console emulation built right into it. The Pro Channel can be collapsed or made large, so you can make it larger when you work on it and collapse it when your not. Almost everything on each channel can be automated with external control. So for instance...I can automate reverbs, panning, compression, volume and much much more. Each automation control has an independednt lane which can also be expanded. Since Sonar X3 started as a midi sequencer the midi manipulation it has is second to none. Sonar has what they call " Take Lanes" which are simply the ability to take numerous vocal tracks and they will all be on different levels of the vocal track allowing you to pick and choose the best takes. Sonar X3 Producer has a great keystroke layout so rewind/play/record are all just a keystroke away. Keystrokes can also be programmed in Sonar to your liking. Sonar X3 Producer has rewire allowing it to be used with products like Reason. Sonar has several ways to arrange music. One is the more common Linear way and another is loop based. You can record your own loops and put them in to the "Matrix" or use pre exisiting loops.The Matrix is composed of "cells" and rows which allow you to line loops up in any order to choose. For instance I could make a row of loops for the chorus and a row of loops for the verse in a song and record them all inside the linear view to seperate tracks...in this way Sonar can work similar to Ableton. The loop explorer in X3 will let you preview loops before commiting to them. There is a magnifier so you can get a close up of the data you're working on. Sonar X3 Producer allows substantial use of group based editing..in this way you can perform batch edits to tracks. Sonar allows placement of sends and buses. and easy connection from them to tracks. Comes loaded with some very nice drums/synths and effects. Sonar can map to various hardware controllers and had lots of instrument definitions. Sonar identified my Presonus interface immediately and allows an easy configuration of all channels. Sonar can map a tempo from a track and Sonar will use that tempo as an alignment on all other tracks. Audio editing to tempo in Sonar X3 Producer is not difficult.X3 has the capability to load movies and can be used as a basic music to movie editor composer. The list is too long to tell you all it does in one small article and I haven't set out to itemize every detail. I'm just sharing a few of the particular things about X3 I like. Sonar X3 Producer has proven itself to be a very stable program that very seldom has any problems.I can't wait to see what they come out with in X4! What are some of the features you like about the program you currently use?
  9. Hello fellow musicians:-) I would like to hear your opinion, mainly from pianists. I am the university student and this year I am working on my bachelor's thesis. I would like to make a smartphone application that would help the piano students or composers to easily transfer their ideas to piano score. The application would be capable of recording someone playing the piano then it would recognize the single notes or polyphony, the rythm and finally it would generete the MIDI output. The MIDI output could be then imported to some 3rd party dekstop software (like Finale, etc.) to obtain the classical piano score. Before I start I need to know whether you, pianists, would even like to use such an application. So would you use an application that can recognize and process the piano sound and generate the MIDI output? And if so what mobile platform would you prefer? Android / iOS / Windows Phone / Symbian / BlackBerry / anything else? What do you think? I really need your feedback and I would appreciate every answer! :-) Thanks in advance.
  10. I'm completely new to the world of songwriting. I am a former singer and I played piano for 10 years of my life. I don't pretend to know how to write notes on staff paper. With all of that said. HELP!! How do I get the music out of my head? I assume that software is the way to go for me. Can anyone suggest a fail safe software. I have the free trial of Finale. The reviews claim that is easy. Really?! I am still able to pick out tunes on a piano but writing key signatures, getting the rhythm correct, etc. is too much. I know other people writing music that don't have half the musical experience that I have. How are they doing this? What am I missing?
  11. Hi, I'm new here. I was wondering what people are using in terms of any software, apps, resources etc. that help make practicing and getting better as a musician easier, more efficient, more fun, etc. This question is thrown out to music teachers and educators as well as students. What kinds of technology is out there to actually help me become a better musician in the long run. I guess I also want to know, what types of technologies (if they don't exist yet to your knowledge) would you want to make becoming a better musician faster possible? What apps or software or other technologies would you use if it existed? I'm a drummer and I am looking into teaching as well, but I am always interested in finding ways to help students (including myself) become better at their craft and get to where they want to go faster. Any thoughts, feedback, or comments related to this are appreciated. I'm thinking from a student's and student/teacher perspective mostly. What can make the interactions between the two better and help the student grow faster. Thanks a lot!
  12. Have you guys heard of it? I youtubed it and I got this: It's apparently a software that lets users make voices sing whatever they want... I think that's kinda cool ahaha. What do you guys think?
  13. T-RackS 3 Deluxe is the flagship mastering product from IK Multimedia. Billed as a considerable improvement on the previous version of T-RackS, T-RackS 3 claims improved metering, plus upgraded modules from T-RackS 2, and offers 5 new high-end signal processing modules. So What exactly does the deluxe version offer, and is it a worthwhile investment for your hard earned money when compared with the T-RackS 3 Standard Edition? Read the review of T-RackS 3 Deluxe Edition
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