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Found 17 results

  1. Hi everyone it's soul_Quest I my first time posting on my first day Please can I get a welcome love to be in this BiG family
  2. Hey, my names Dom, or my artist name SHARKEY. I'm very new to making music however I have a real passion for this, song writing since I was about 14. Recently with the help of my two producer friends I've put this dream to life. I don't want to come off as quirky it's just the truth. Anyway I recently dropped my first DEBUT single which will be one of the 6 tracks coming out in my EP by the end of this summer and I'd really appreciate it if you check me out.
  3. This is my mashup of Justin Bieber's new single Yummy , and his previous hit Sorry 🤙 Hope you enjoy this one 😉 https://www.youtube.com/watch?v=5lLk4RSNt_k
  4. hey, i'm astronun. happy 2020 to every artist out there. i'm new to this, but wanted to speak to some who may need to hear it. this is for you. its crazy to believe that over 8 years ago i searched the internet for some way to create music on a computer, and after countless hours, sleepless nights, and numerous melodies i stumbled upon what very soon became my greatest hobby. i've always had trouble creating music because either it didn't compare to what all of the mainstream artists were putting out or because i was my own worst critique. i struggled to find that "sound" that got the big names to where they are today, and i hated that. i wanted to be noticed. didn't my music deserve recognition? this past year has been huge for me for many reasons. for starters, i began finally singing in my music, which soon became the primary instrument in all the music i now produce. i've always sang in performances, church, shower, etc., but to put it out for the entire internet to hear? that was a huge step. i also noticed how my numbers generally began growing on spotify, apple music, etc., but somehow i wasn't satisfied. here's the biggest thing i've learned; we will never be satisfied if we measure our work up to the worlds' standards. period. in a musical context, i will never be good enough because i'm not as good as "_____" or because i'm not seeing the same numbers as "_____" or my social media doesn't look as good as "_____". we climb up the ladder and we continue to look upwards, upset at how far we have to go without looking down and realizing the bit that we've climbed. i'm proud of the little numbers i've made in 2019. i'm proud of the music that i produce and write and get stuck in my head. i'm proud that my own music is my #1 most listened to artist on spotify. i'm proud of how i work hard to market my own music. and i'm proud to continue on what i love so much in 2020. i hope this speaks to some, if any, of you. celebrate the small victories. love your work because you made it. use others to sharpen your talent, not to create it for you. here's a toast to 2020 and all the victories that lie ahead for all artists out there. God bless. -astronun
  5. Today, I’m privileged to interview a lady who has lulled herself into the hearts of our members with her truly sweet disposition and her smooth, soothing, dreamlike voice. If you haven’t yet had an encounter with the lovely singer/songwriter from Kolkata, India, Sreyashi Mukherjee, whom we call Sumi, you’re in for a real treat! Let’s get started…. Sumi, What got you interested in songwriting? To be honest I never saw myself as songwriter material. So maybe... about a couple of years ago when I was well into my thirties. I come from a music-oriented family and was interested in singing from a very young age. But all throughout my active involvement in music, until my early twenties, my focus remained on covering songs that I loved and admired. Then, like so many others, I got sucked into life doing the “important things”. At some point in everyone's life, the things that we defined as important don't remain that important anymore. Priorities change, circumstances change, we change or... maybe we suddenly realize we already changed too much from what we really are? That is what happened with me, a decade after I stopped singing. Something felt sorely missing and my quest for this missing piece led me back to music. Unexpectedly, I stumbled upon songwriting at this stage. While exploring opportunities online, I came across different artists and musicians who encouraged me to try out my own composition. It's been an amazing two years since then and I'm constantly learning and evolving all along! Songstuff has especially played a very big role in re-starting this journey for me because it was one of the first places that I turned to! "Priorities change circumstances change, we change or... maybe we suddenly realize we already changed too much from what we really are? That is what happened with me a decade after I stopped singing." How would you describe your particular songwriting style? I wouldn’t say that I have a signature songwriting style yet. I'm experimenting with different music genres to test myself. In general though, my preference is towards working on something that doesn't follow a fixed formula structure-wise and melody-wise. I also prefer to write in abstract formats if it fits the music. I find greater satisfaction from such challenges that I keep for myself. You have two albums out; HOPES AND DREAMS -- a collaboration with Russel Lucas, and ELLIPSIS, a collaboration with Mateusz Kowara. CONGRATULATIONS! Let’s start by talking about your album, ELLIPSIS. How did you connect with Mateusz? Well how I got in touch with Mateusz is indeed an interesting one. First thing, we met via Songstuff. I received a one-line message from him, asking me to look over his instrumental track and see if I wanted to be a part of it. Definitely something that a random spammer does! I almost dismissed the message but decided to listen to the track once - and it caught my attention immediately! I had to engage him in a few conversations after that, though, just to ensure that he wouldn’t "ghost on me" once I started work on the track (nervous smile). It turned out that Mateusz had been actively looking for a co-writer for his song ideas for a long time locally or even within Poland, but had not come across the "right candidates". In a last-ditch attempt, he tried the online route. Songstuff was one of the options that popped up. He randomly came across my profile and dropped me a message without even checking out my work! As shaky a beginning as it sounds, he has turned out to be one of my steadiest collaborators and a close friend. This first song draft that we worked together on became "Autumn Leaves", which is also featured in our album "ELLIPSIS". At that time, we had no thoughts about releasing an album but as we continued to work closely and saw another two songs coming to life, we began to think seriously along those lines. "I almost dismissed the message but decided to listen to the track once - and it caught my attention immediately!" Were you going for a particular feel or a particular sound at the onset of this album? We realized that while our songs were not exactly falling into any particular genre, they had an ambient feel to them, so, we structured the rest of the songs in the album to loosely come under the "ambient pop" category. In your ELLIPSIS album, you have a song called, *Kings*. Tell our readers, what IS that song about? This was the last song that we wrote while working on the album... it went through a number of revisions before getting its current half-dance, half-Viking vibe. Lyrically, I used “The King”, as a metaphor for all of us. Every king would have experienced power and defeat during his reign. That is the story of our lives, too... a cycle that we ride over and over again. "*Autumn Leaves* is so aptly named. As I hear the words of the song, I get an image of a once live, green leaf changing, turning gold and brown as it lilts to the ground much like the relationship you sing about in the song. Is this the image you intended to evoke?" Precisely! You have captured the essence very well. And I really feel that nature can depict all the emotions that even the most complex human being experiences - in such beautiful ways... In *Ruminations* you have a line that resonates with me. “But if we do run out of words we can always watch the sunset”. Those are the best kind of friends. The ones that you can just enjoy time with. Those are the kind you can pick up where you left off even though you haven’t seen each other in a really long time. Is this song more about friendship or is it more about enjoying the moment? This song is all about inclusivity - feeling one with everyone, every being, everything. This can only happen if we drop all our preconceived notions and be open to every experience that the moment presents. At some point in our lives (no matter how short-lived), we all must have experienced this and the feeling of liberation and bliss that came along with it. My favourite line? "Let's dive and be free" (calm, glowing cheeks smile). Your song, *Night Rain* has some interesting musical turns and what seems to be strategic pauses and change ups. Did you have a particular target you were aiming for in the creation of this piece? Even in its draft stages, this song was a very ambitious concept. The changing mood of the song brings to one's mind the idea of a musical - almost as if there are many songs in one. We did try to paint a picture with the arrangement and lyrics that describes a particular scene in the rain and some old memories ignited along the way. We probably struggled the most with this song because of the large vision we had for it. We are also the proudest of this creation! "I used 'The King', as a metaphor for all of us. Every king would have experienced power and defeat during his reign. That is the story of our lives, too... a cycle that we ride over and over again." I think your song, *Man-Made World* is one of the songs I find most sonically pleasing in the album, ELLIPSIS. The resonating echo, “wake up” lends a most appropriate feel to this lyric. I know that the lyric is often only the visible (in this case audible) surface of a mental web of processing when writing. What were the stirrings behind these lyrics? Yes, compared to the offbeat nature of our songs, this one is more radio-friendly (Delighted smile). We also made it the first release from our album. For me, I always let the music inspire me to come up with a lyrical theme. In this song's case, the haunting guitar chords and bass-arrangement brought the idea of something ominous to my mind, but like slow-poison. I based it on us...after all, isn't humanity almost at the brink of destroying itself? I must admit, it does sometimes seem that humanity contributes to its own destruction (bobblehead nod slowing to a stop). Next item: Tell our readers, Is there a significance in selecting the album title, ELLIPSIS? Our personal favourite from the album would be Ellipsis, which is what the album is named after. We know that it will never find its way to commercial acceptability but, it is what reminded us both why we want to make music. We put our hearts and souls into this song. "It is what reminded us both why we want to make music. We put our hearts and souls into this song." Ellipsis is one of the latter three songs you shared with me later as our interview progressed. It has such a gorgeous, haunting, almost ominous musical introduction and your vocals are just...ugh...absolutely stunning. I can see why this might be a favorite to both you and Mateusz. It has an almost dreamy, surreal feel to it and the ending just resonates with the listener. Readers, if you haven’t listened to it yet, you’ve got to check it out! Are there others who have contributed to the completion of this album that you would like to recognize? We are very thankful to have Hugiz Records, which mixed and mastered all our songs. We are already casually working on new song material and, when the time comes, will definitely look forward to working with Hugiz Records again! Let’s talk about your other album, HOPES AND DREAMS. Your collaborator was Russell Lucas. How did you meet Russell? (I’ve got the inside scoop on this one, haha.) Did I mention that Songstuff played a big role in helping me find a direction while restarting my musical quest? (Quirky, pondering smile). Well, I got introduced to Russell Lucas through a friend at SS (wink wink!) about 2 years ago. He comes from the world of classic jazz, blues and country. I've always had a deep interest in jazz music and collaborating with him helped me to tap deeper into this side. Russ goes into minute details right from music creation to the finishing touches of the song. I have learned a great deal from him and am continuing to do so. The themes of this album seem to run the gamut of emotions in an intense relationship. It seems to go from warm, fond, love-lit acceptance to the sting of lost love, the question of love’s sincerity and relational memories re-visited. What impact are you hoping these songs will have on our listeners? Most of the songs done with Russell have been done with the goal getting placed in film music as the themes broadly cover the main situations that many movies depict. We have a long way to go in reaching that milestone but we’ve started to gain some traction in this direction. *In My Dreams* I think is my personal favorite on this album. It seems to evoke a “happy memories” feel to it. It’s a chill-out listen. Did the music come first or did the lyrics? Thank you.. it is my favourite, too, from this EP! Yes, it's a really sweet piece of music. Russ provided me with the track first to check if it inspired me in some way. Was there a personal inspiration for this one? As I explained earlier, I usually try to let the pulse of the instrumental track guide me to come up with a lyrical theme. In this case, the music seemed to create a picture of a Utopian setting in my mind and so I came up with the idea of a Utopian kind of romanticism. It sounds too ideal in real life but I believe that we humans do have a great capacity for love, much beyond our own imagination. Absolutely! I think we continue to discover a deeper capacity for love than what we never imagined we were capable of. "I usually try to let the pulse of the instrumental track guide me to come up with a lyrical theme." You have two songs on the album, HOPES AND DREAMS that you were the vocalist on, but not the writer. *Just Like You Wanted* lyrics were written by Susan Cantey with music and arrangement by Russell Lucas. The other song, *Shadows in the Past* was written by Russell Lucas and Tania Knight. Were the songs ready-made with the vocal melody too, or did you take part in the vision and manifestation of that vision with your vocal melody... and how is it you came by these lyrics? Both these songs were fully structured, along with the lyrics, when they were sent to me as demos. Russ had been looking for someone who could bring an emotional range to the songs and he felt that I fit the bill (Happy smile). My main task was to bring in my own interpretation of the vocal melodies. I had, in fact, recorded these two songs first before starting my own compositions with Russ's music. How did you know you wanted them as part of this album? We later decided to make them a part of this 4-song EP, which would be more of a launch of our maiden collaboration under my artist name "Sumi". My fourth song, *Tomorrow* - is an original composition with which we closed off the EP. *Tomorrow* is truly reflective of your particular smooth, jazzy, honey-ooze vocal sound and Russell Lucass’s Jazzy, old-timey musical creations. This is what paired you two together in my mind. Are you planning any upcoming collaborations with Russell in the future? Currently, we are working on material to create a full-length album. The genres will be similar but I'm looking forward to experimenting more within these formats. Romano Erafficci has done the mixing on both JUST LIKE YOU WANTED and SHADOWS OF THE PAST. We can’t neglect to recognize the impact a good mix can have on the outcome of a song. How did that connection come to pass? Romano mixed and mastered all our songs and is also a regular with our new, upcoming material. He really understood the mood and feel that these songs had wanted to create and brought them to life beautifully. Russ, having worked with other artists, was already in touch with him from before. For me, it's probably just another coincidence that Romano is also from Poland (apart from Mateusz and the owner of Hugiz Records)! Where can listener’s access or purchase your music from? The links to my releases are: THE WINGBEATS (Band with Mateusz Kowara) - https://itunes.apple.com/us/album/ellipsis/1458043478?ign-mpt=uo%3D4 https://open.spotify.com/album/4omVv7EJL4hcKTmPvjBZNM?si=8hV2w8qhQiqDVvlI2SJIHg SOLO ALBUM (Collaboration with Russell Lucas) - https://music.apple.com/au/album/hopes-and-dreams-ep/1454740195 https://open.spotify.com/album/6A3W5GDDXnUBsF769wJprH Website: Music and Sumi https://www.sumi-music.com/ https://www.facebook.com/thewingbeats/ Finally, of all the songs from both your albums, which one most resonates with you and why? I think comparing my work with Mateusz and Russell is like comparing chalk and cheese --- they come from completely different worlds. I'm only extremely grateful that I am getting the opportunity to try out different styles of music with such gifted artists and composers, who are also very warm people. "I'm only extremely grateful that I am getting the opportunity to try out different styles of music with such gifted artists and composers, who are also very warm people." Chalk and cheese! There you go, readers! How exciting it is to collaborate with others in diverse genres and styles! Sumi has inspired great incentive to explore a variety of collaborators in the songwriting experience! She’s found two wonderful, warm and skilled artists that she has enjoyed, learned from and produced wonderful albums with. They’re out there, people, and you may just find your next collaborator on Songstuff! Well, thank you for agreeing to this interview, Sumi, and I hope to catch your next album when it comes out! Keep us posted!
  6. Today, I’m privileged to interview a lady who has lulled herself into the hearts of our members with her truly sweet disposition and her smooth, soothing, dreamlike voice. If you haven’t yet had an encounter with the lovely singer/songwriter from Kolkata, India, Sreyashi Mukherjee, whom we call Sumi, you’re in for a real treat! Let’s get started…. Sumi, What got you interested in songwriting? To be honest I never saw myself as songwriter material. So maybe... about a couple of years ago when I was well into my thirties. I come from a music-oriented family and was interested in singing from a very young age. But all throughout my active involvement in music, until my early twenties, my focus remained on covering songs that I loved and admired. Then, like so many others, I got sucked into life doing the “important things”. At some point in everyone's life, the things that we defined as important don't remain that important anymore. Priorities change, circumstances change, we change or... maybe we suddenly realize we already changed too much from what we really are? That is what happened with me, a decade after I stopped singing. Something felt sorely missing and my quest for this missing piece led me back to music. Unexpectedly, I stumbled upon songwriting at this stage. While exploring opportunities online, I came across different artists and musicians who encouraged me to try out my own composition. It's been an amazing two years since then and I'm constantly learning and evolving all along! Songstuff has especially played a very big role in re-starting this journey for me because it was one of the first places that I turned to! "Priorities change circumstances change, we change or... maybe we suddenly realize we already changed too much from what we really are? That is what happened with me a decade after I stopped singing." How would you describe your particular songwriting style? I wouldn’t say that I have a signature songwriting style yet. I'm experimenting with different music genres to test myself. In general though, my preference is towards working on something that doesn't follow a fixed formula structure-wise and melody-wise. I also prefer to write in abstract formats if it fits the music. I find greater satisfaction from such challenges that I keep for myself. You have two albums out; HOPES AND DREAMS -- a collaboration with Russel Lucas, and ELLIPSIS, a collaboration with Mateusz Kowara. CONGRATULATIONS! Let’s start by talking about your album, ELLIPSIS. How did you connect with Mateusz? Well how I got in touch with Mateusz is indeed an interesting one. First thing, we met via Songstuff. I received a one-line message from him, asking me to look over his instrumental track and see if I wanted to be a part of it. Definitely something that a random spammer does! I almost dismissed the message but decided to listen to the track once - and it caught my attention immediately! I had to engage him in a few conversations after that, though, just to ensure that he wouldn’t "ghost on me" once I started work on the track (nervous smile). It turned out that Mateusz had been actively looking for a co-writer for his song ideas for a long time locally or even within Poland, but had not come across the "right candidates". In a last-ditch attempt, he tried the online route. Songstuff was one of the options that popped up. He randomly came across my profile and dropped me a message without even checking out my work! As shaky a beginning as it sounds, he has turned out to be one of my steadiest collaborators and a close friend. This first song draft that we worked together on became "Autumn Leaves", which is also featured in our album "ELLIPSIS". At that time, we had no thoughts about releasing an album but as we continued to work closely and saw another two songs coming to life, we began to think seriously along those lines. "I almost dismissed the message but decided to listen to the track once - and it caught my attention immediately!" Were you going for a particular feel or a particular sound at the onset of this album? We realized that while our songs were not exactly falling into any particular genre, they had an ambient feel to them, so, we structured the rest of the songs in the album to loosely come under the "ambient pop" category. In your ELLIPSIS album, you have a song called, *Kings*. Tell our readers, what IS that song about? This was the last song that we wrote while working on the album... it went through a number of revisions before getting its current half-dance, half-Viking vibe. Lyrically, I used “The King”, as a metaphor for all of us. Every king would have experienced power and defeat during his reign. That is the story of our lives, too... a cycle that we ride over and over again. "*Autumn Leaves* is so aptly named. As I hear the words of the song, I get an image of a once live, green leaf changing, turning gold and brown as it lilts to the ground much like the relationship you sing about in the song. Is this the image you intended to evoke?" Precisely! You have captured the essence very well. And I really feel that nature can depict all the emotions that even the most complex human being experiences - in such beautiful ways... In *Ruminations* you have a line that resonates with me. “But if we do run out of words we can always watch the sunset”. Those are the best kind of friends. The ones that you can just enjoy time with. Those are the kind you can pick up where you left off even though you haven’t seen each other in a really long time. Is this song more about friendship or is it more about enjoying the moment? This song is all about inclusivity - feeling one with everyone, every being, everything. This can only happen if we drop all our preconceived notions and be open to every experience that the moment presents. At some point in our lives (no matter how short-lived), we all must have experienced this and the feeling of liberation and bliss that came along with it. My favourite line? "Let's dive and be free" (calm, glowing cheeks smile). Your song, *Night Rain* has some interesting musical turns and what seems to be strategic pauses and change ups. Did you have a particular target you were aiming for in the creation of this piece? Even in its draft stages, this song was a very ambitious concept. The changing mood of the song brings to one's mind the idea of a musical - almost as if there are many songs in one. We did try to paint a picture with the arrangement and lyrics that describes a particular scene in the rain and some old memories ignited along the way. We probably struggled the most with this song because of the large vision we had for it. We are also the proudest of this creation! "I used 'The King', as a metaphor for all of us. Every king would have experienced power and defeat during his reign. That is the story of our lives, too... a cycle that we ride over and over again." I think your song, *Man-Made World* is one of the songs I find most sonically pleasing in the album, ELLIPSIS. The resonating echo, “wake up” lends a most appropriate feel to this lyric. I know that the lyric is often only the visible (in this case audible) surface of a mental web of processing when writing. What were the stirrings behind these lyrics? Yes, compared to the offbeat nature of our songs, this one is more radio-friendly (Delighted smile). We also made it the first release from our album. For me, I always let the music inspire me to come up with a lyrical theme. In this song's case, the haunting guitar chords and bass-arrangement brought the idea of something ominous to my mind, but like slow-poison. I based it on us...after all, isn't humanity almost at the brink of destroying itself? I must admit, it does sometimes seem that humanity contributes to its own destruction (bobblehead nod slowing to a stop). Next item: Tell our readers, Is there a significance in selecting the album title, ELLIPSIS? Our personal favourite from the album would be Ellipsis, which is what the album is named after. We know that it will never find its way to commercial acceptability but, it is what reminded us both why we want to make music. We put our hearts and souls into this song. "It is what reminded us both why we want to make music. We put our hearts and souls into this song." Ellipsis is one of the latter three songs you shared with me later as our interview progressed. It has such a gorgeous, haunting, almost ominous musical introduction and your vocals are just...ugh...absolutely stunning. I can see why this might be a favorite to both you and Mateusz. It has an almost dreamy, surreal feel to it and the ending just resonates with the listener. Readers, if you haven’t listened to it yet, you’ve got to check it out! Are there others who have contributed to the completion of this album that you would like to recognize? We are very thankful to have Hugiz Records, which mixed and mastered all our songs. We are already casually working on new song material and, when the time comes, will definitely look forward to working with Hugiz Records again! Let’s talk about your other album, HOPES AND DREAMS. Your collaborator was Russell Lucas. How did you meet Russell? (I’ve got the inside scoop on this one, haha.) Did I mention that Songstuff played a big role in helping me find a direction while restarting my musical quest? (Quirky, pondering smile). Well, I got introduced to Russell Lucas through a friend at SS (wink wink!) about 2 years ago. He comes from the world of classic jazz, blues and country. I've always had a deep interest in jazz music and collaborating with him helped me to tap deeper into this side. Russ goes into minute details right from music creation to the finishing touches of the song. I have learned a great deal from him and am continuing to do so. The themes of this album seem to run the gamut of emotions in an intense relationship. It seems to go from warm, fond, love-lit acceptance to the sting of lost love, the question of love’s sincerity and relational memories re-visited. What impact are you hoping these songs will have on our listeners? Most of the songs done with Russell have been done with the goal getting placed in film music as the themes broadly cover the main situations that many movies depict. We have a long way to go in reaching that milestone but we’ve started to gain some traction in this direction. *In My Dreams* I think is my personal favorite on this album. It seems to evoke a “happy memories” feel to it. It’s a chill-out listen. Did the music come first or did the lyrics? Thank you.. it is my favourite, too, from this EP! Yes, it's a really sweet piece of music. Russ provided me with the track first to check if it inspired me in some way. Was there a personal inspiration for this one? As I explained earlier, I usually try to let the pulse of the instrumental track guide me to come up with a lyrical theme. In this case, the music seemed to create a picture of a Utopian setting in my mind and so I came up with the idea of a Utopian kind of romanticism. It sounds too ideal in real life but I believe that we humans do have a great capacity for love, much beyond our own imagination. Absolutely! I think we continue to discover a deeper capacity for love than what we never imagined we were capable of. "I usually try to let the pulse of the instrumental track guide me to come up with a lyrical theme." You have two songs on the album, HOPES AND DREAMS that you were the vocalist on, but not the writer. *Just Like You Wanted* lyrics were written by Susan Cantey with music and arrangement by Russell Lucas. The other song, *Shadows in the Past* was written by Russell Lucas and Tania Knight. Were the songs ready-made with the vocal melody too, or did you take part in the vision and manifestation of that vision with your vocal melody... and how is it you came by these lyrics? Both these songs were fully structured, along with the lyrics, when they were sent to me as demos. Russ had been looking for someone who could bring an emotional range to the songs and he felt that I fit the bill (Happy smile). My main task was to bring in my own interpretation of the vocal melodies. I had, in fact, recorded these two songs first before starting my own compositions with Russ's music. How did you know you wanted them as part of this album? We later decided to make them a part of this 4-song EP, which would be more of a launch of our maiden collaboration under my artist name "Sumi". My fourth song, *Tomorrow* - is an original composition with which we closed off the EP. *Tomorrow* is truly reflective of your particular smooth, jazzy, honey-ooze vocal sound and Russell Lucass’s Jazzy, old-timey musical creations. This is what paired you two together in my mind. Are you planning any upcoming collaborations with Russell in the future? Currently, we are working on material to create a full-length album. The genres will be similar but I'm looking forward to experimenting more within these formats. Romano Erafficci has done the mixing on both JUST LIKE YOU WANTED and SHADOWS OF THE PAST. We can’t neglect to recognize the impact a good mix can have on the outcome of a song. How did that connection come to pass? Romano mixed and mastered all our songs and is also a regular with our new, upcoming material. He really understood the mood and feel that these songs had wanted to create and brought them to life beautifully. Russ, having worked with other artists, was already in touch with him from before. For me, it's probably just another coincidence that Romano is also from Poland (apart from Mateusz and the owner of Hugiz Records)! Where can listener’s access or purchase your music from? The links to my releases are: THE WINGBEATS (Band with Mateusz Kowara) - https://itunes.apple.com/us/album/ellipsis/1458043478?ign-mpt=uo%3D4 https://open.spotify.com/album/4omVv7EJL4hcKTmPvjBZNM?si=8hV2w8qhQiqDVvlI2SJIHg SOLO ALBUM (Collaboration with Russell Lucas) - https://music.apple.com/au/album/hopes-and-dreams-ep/1454740195 https://open.spotify.com/album/6A3W5GDDXnUBsF769wJprH Website: Music and Sumi https://www.sumi-music.com/ https://www.facebook.com/thewingbeats/ Finally, of all the songs from both your albums, which one most resonates with you and why? I think comparing my work with Mateusz and Russell is like comparing chalk and cheese --- they come from completely different worlds. I'm only extremely grateful that I am getting the opportunity to try out different styles of music with such gifted artists and composers, who are also very warm people. "I'm only extremely grateful that I am getting the opportunity to try out different styles of music with such gifted artists and composers, who are also very warm people." Chalk and cheese! There you go, readers! How exciting it is to collaborate with others in diverse genres and styles! Sumi has inspired great incentive to explore a variety of collaborators in the songwriting experience! She’s found two wonderful, warm and skilled artists that she has enjoyed, learned from and produced wonderful albums with. They’re out there, people, and you may just find your next collaborator on Songstuff! Well, thank you for agreeing to this interview, Sumi, and I hope to catch your next album when it comes out! Keep us posted! View full interview
  7. Hello there. My name is Omar Belkachla and i go by the name of SKYHXGH. Im currently 20 years old old and its been about 6 years now since ive been writing rap music and in the the hip hop culture. I ve been performing alot since then releasing mixtapes and music videos ive been to a local radio and a talk show. Ive had collaborations with many artists both Moroccan and out of the country and im never plannin to stop. Came here to share my music witchall n hopefully interact wid some good artists too hahah. Peace n love all the way from tangier morocco. Look me up everywhere : A. SKYHXGH B. THE HOUSE OF NOTES
  8. Well hello there (Too flirty, sorry I never know how to start conversations. ) I'm Boski, from India. I make cover videos of pop songs. Wanna check it out? If you like my voice, please hit like and subscribe, okay? Please?
  9. So I'm a singer/ lyricist, and I've been in the live music scene for a good few years. I'm looking to start collaborating online, and I'm looking for producers/ composers to collaborate with. Is it even possible to find anyone through a platform that doesn't consist of paying other musicians for their music? Am I being naive thinking I could work with people in a "you help me, I help you" kinda situation? If there is anywhere it is possible to do something like that, I'd really appreciate if someone could point me in the right direction.
  10. My name is Janice. I am an Independent Artist. I have released several legally licensed covers on ITunes, including Where Do Broken Hearts Go, Some One Like You, and My Heart will Go On. I am looking for a song writer to collaborate with on an original song. I would consider most genres of music except heavy metal or rap. My strength vocally, is pop. Here is a link to one of my singles. Note I am not using this forum to advertise my single, but as an audition file.https://www.amazon.co.uk/Where-Do-Broken-Hearts-Go/dp/B01N5YFGKZ
  11. Hi everybody! My name is Tiffany Hill. I love making music. I sing, I perform, I write etc. Alotta different genres. Mainly r and b/soul, and alternative rock. Never heavy meter tho. Anyways, yup yup, that's me in a nutshell I guess lol
  12. I am from Glasgow, Scotland and i have been writing song's since i was just a nipper. i have listened to some of the song's already on the site and i have been very impressed, Some fine tunes, lyrics etc. I am willing to collaborate with anyone.I am looking forward to some fruitful partnerships. I do my home recording in Cakewalk Sonar Producer Edition. I am just ok at mixing having realised that the Great Mixing Engineers are truly gifted guy's. I take my hat of to them. And all of you my womderful fellow musicians. May the next classic song be your's!!! God Bless........
  13. Hello all, I am a teen vocalist just starting out. I have had vocal training but only through school. I am having trouble finding high-school-aged local talent. My goal is to become a singer-songwriter. My favorite genres are progressive metal and melodic/symphonic rock, but my tastes span rock, punk, metal, pop, and more. My influences include A Perfect Circle, Avril Lavigne, Evanescence, Muse, Paramore, and Queen. I am currently trying to get more Facebook Likes. I am just starting to write lyrics and music. Thanks, Lara French https://www.facebook.com/pages/Lara-French/730652143619384 http://www.youtube.com/channel/UCZFRJZlY3bTrdjIXLEwffWg
  14. Hi Songstuff members! Let me introduce myself! Since I was 1 year old, I was responding to music so differently. When I was 1 and half year old, when Young and Restless' orchestral theme Nadia's Theme starts to play I closed my eyes and raise my arms and clench my fist and release it repeatedly every time. Since I was 2 I've been singing for hours walking around the room. I wanted to play guitar when I was 6 but people said you're too young for it and I started playing keyboards instead. Because of my science lessons was good enough and my father cracked my mind with successful engineer's and scientist's stories, I was orientated to study science in high school. Unfortunately I was successful in Maths and Physics especially. But I always composed music, kept playing guitar that I've been playing since I was 12 and my parents bought an electric guitar that will help me improve my solo guitar skills. I was studying in science and maths department in the best high school in my home town. It has never felt completely right but I was not aware that I was in the wrong path. And in 2009 when Michael Jackson died I realized nothing is right. I realized I don't want to keep studying for the regular college exams. I could never convince my parents about getting in conservatory exams, they said when you go to college in Istanbul, you can have music lessons outside your school and make your music in your spare time with your bands. And they were aware that art is never treated specially in Turkey. Knowing I can't enter to conservatory exams, I chose Industrial Design major because of it's discipline's similarity between composing and arranging, and the relation between consumer and listener. I got in Bahcesehir University's Industrial Design department with half scholarship (Paying $7,000 a year). I have never been enough passionate about the major I studied and every year I said I don't want to study in here anymore and expressed my unhappiness saying I want to take exams for conservatories, but my father didn't allow me to drop out from the college. His researches showed music schools in İstanbul are terrible about developing students and everyone is saying teachers are cranky, above that all the schools are teaching classic music, there is no music school that teaches Contemporary music for students who are prone to Jazz based music styles. This year is my last year in university, I passed all the lessons with success so far. In 2011 I started singing lessons as my teacher is still Timur Selçuk; well known pianist, composer, conductor and singer in Turkey, and France, for 60s and 70s. I am also the score writer of plays in my schools Theater of Bahçeşehir University in 2012 (The Good Person of Szechwan by Brecht and All My Sons by Arthur Miller). I take a lot of time for the passion and purpose of my life. My university classes are really stressing and difficult but in all the times I create, I dedicate myself to my music. In my second year of college I accepted to be the composer of music's in two theater plays of the Bahcesehir University, the time I spend on composing the scores gave me peace. And I hope music will be my main responsibility, as this responsibility will bring me joy, happiness and peace, no matter how tiring it will be. I love being on stage, composing and collaborating with different musicians.
  15. Hello guys and thank you for letting me become part of the site. My name is jack and I am 27 years old I have been singing and writing lyrics for as long as I can remember (more than 12 years). I can make my voice sound like almost any band I have ever heard from The Used to Creed and everything in between. I write emo, rock, and rap/hip hop lyrics. I joined this forum to get in contact with other creative people like me and possibly find a backup guitarist or a band to try out for so I can showcase my skills. Please feel free to hit me up and ask any questions.
  16. Hello veterans and newbs! I am new to the forum. Please feel free to stop by and say hello. I have been in the buying mood in the last month. I just acquired quite a bit of equip. I am up for suggestions on studio arrangement, tips and tricks when miking up, acoustic arrangement, recording structure, MASTERING TIPS!, etc. I look forward to hearing from you guys. My gear is as follows: -Peavey 5150 II modded head with brand new tubes (clean channel is actually clean) -Bogner Ubercab -Ibanez TS9 30th Anniversary tube screamer -ESP Ltd FX 260SM -Tascam DP 24 Digital Multitracker/Portastudio -Pair of Yamaha HS50M's with HS10W subwoofer -Pair of Auralex isolation pads -Grace M101 Mic and Instrument Preamp -BBE 882i Sonic Max -Rode NT2A with pop filter and shock mount -Sennheiser e835 Performance Mic -Yamaha YPG-235 76-key keyboard w/ M-Audio sustain pedal -Yamaha DTXplorer Electronic Drumset with DW3000 double bass pedal -Peavey 300 Series EQ/Power Amp with one self-monitor -Ibanez cutout acoustic burgundy tigerwood, Epiphone Jumbo acoustic -Epiphone Les Paul red electric -Proel Tripod Mic Stand -The Art of Mixing 2nd Edition -Mixing Secrets for the Small Studio -Melody in Songwriting -Writing Better Lyrics Once I have all my recording gear where I think it should go, I will post some pics. Please give me any suggestions you think would help in getting great quality mixes. I am submitting an Auralex free room-analysis. I am going to use the mirror-trick to start with and then go from there. If there is any cheaper material you guys use for acoustic treatment that is actually effective, please let me know! Thanks for checking this post out. Message me if you wish! Johnny
  17. Please welcome professional singer, vocal coach and singing teacher Cheryl Hodge to Songstuff! Cheryl will be writing regularly for the vocals section of our site, and taking part in the vocals board discussions. Cheryl has been teacher to many students; including pop icons Grammy winner Paula Cole, Juno winner Frazee Ford, and Canadian Idol finalist, Alyssa Klazek. She graduated from and taught at Berklee College of Music (voice faculty for 8 years), and for the last 18 years she has been the head of the Selkirk College Vocal Department. Cheryl has recorded 7 CDs and writes and gigs regularly with jazz guitar great, John Stowell. Vocals Area Vocals Board
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