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I've read quite a few tomes on mixing which suggest matching-up an instrumental track that is panned hard to one side, with a slightly-delayed reverb of the same sound on the other.  Producing the effect of a really large "hall" in which the second sound literally is an echo.

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On 7/28/2017 at 7:25 AM, MikeRobinson said:

I've read quite a few tomes on mixing which suggest matching-up an instrumental track that is panned hard to one side, with a slightly-delayed reverb of the same sound on the other.  Producing the effect of a really large "hall" in which the second sound literally is an echo.

Thanks Mike, I suspected that while listening. I like the way it works on the track.

Mind directing me to more professional literature on mixing mastering perhaps?

 

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