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Kelisms

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#8 Is A Rhyme A Crime Or Just In Time?


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How many times have you heard a rhyme that is just... forced, cliche, ordinary!

Me too, way too often.

It got me thinking, does a lyric have to rhyme? Of course not, however, as songwriters we have trained listeners to expect a rhyme in a song. And it is a recognised way to help remember the lyrics. So if we don't have to rhyme, yet it's a good idea, when might it be better not to?

Easy, when it sounds contrived, forced, chiche, ordinary!

When it comes to rhymes there are a few different types. I don't want to get too technical, that's not my thing, after all. But it's okay to almost rhyme, or sort of rhyme, and often they can be clever. Don't forget, different accents will sound like a rhyme when they're not at all. As anyone who talks to a Kiwi can attest, then they are talking about six, it isn't a number!

Country music has many examples of rhymes that don't even look close on paper, but when the singer says it in their own normal accent it sounds pretty close.

Another important part of using rhyme in a lyric is to be consistent with the pattern. What you set up in verse one must be repeated in subsequent verses. And whatever pattern you use in the verse MUST be different in the chorus. I'll demonstrate

Verse: Verse:

A A

B A

A B

B C

A C

B B

Chorus Chorus

A A

A B

B A

B B

From these two examples you should see what I mean.

Have fun with your rhyming, and don't be afraid to almost rhyme. With melody, drums, guitar, hands clapping and feet stomping, it's likely close enough. Just don't be ordinary!

Till next time,

Kel

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When writing mine

I'm feeling fine

to take the time

and make them rhyme....

and that's the problem...TOO ORDINARY !!!!!

Good write man

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Rhyming is something I've been trying to pay more attention with lately.

 

I am finding it interesting how some writers really seem to have a knack for finding words that are perfect for what they are trying to say, and do have rhyming qualities but aren't exact rhymes. Often they just have the same vowel sounds or a similar sound like "sh" or "ch". When the vocal performance is done just right that can be magic that sticks in your brain forever yet doesn't seem cliche at all.

 

I think it's very important to determine whether your lyrics need to bring a sense of finality or resolution to the listener by rhyming or if it is more effective to be more subtle about it or not rhyme at all. Sometimes not rhyming at all at a point where it felt like a rhyme was coming for sure can be really eerie and unsettling. But in a good way.. a way that serves the song.

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Hi Derek.

Indeed, not rhyming when expected is another way of adding tension, but that is another installment. 

Thanks for sharing your thoughts.

Kel

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Aha I have just learned that the type of rhyme you use can create a feeling in the lyric separate from the actual words. Actually to call these rhymes is a bit of a misnomer. More like sonic connections than rhymes. Because songs are sung not red rhymes in songs are vowel biased. The consonants do not matter as much. Here s a list of rhyme types going from the most stable to the least.

The function of stability in rhyme is it controls the movement in the lyric. This is why rhyming couplets AA make a song drag because the rhyme scheme completely resolves and the song does to a stop.

The list

Rhyme. Type

Blame/game. Perfect

Mug/blood. Family

Cry/smile. Additive

Smile/cry. Subtractive

Ran/cat. Assonance

End/bond. Consonance

As I said when you get down to assonance and consonance it is better to call them sonic connections rather than rhymes. That is why when you read a lyric tat seems to have few rhymes it still works and you not quite sure why.

Sonic connections.

Cheers

Gary

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Thanks Gary, I don't usually try to be too technical here (maily because I tend to get the term confused!). Good input though, as usual.

Cheers, K

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