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Tell me what do you think about this song))

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  • 2 weeks later...

Let's talk about "frequency ranges."  (And, within those ranges, relative volume levels.)


Absolutely up-front in this arrangement is "high frequencies."  Very crisp, very sharp, clearly standing in front of everything else.  Almost percussive.  And so, considerably behind this and therefore very much subordinate to it, we have "your vocals."  (Which, logically, ought to be "the thing that we hear if we are to hear nothing else.")  Beneath the vocals we have ... nothing (IMHO) in any of the lower frequencies.  The cellists, the bass players, these musicians need not apply.


So – here's my suggestion:  "give us a new arrangement of this piece."  High-frequency players (violins), midrange (cellos, woodwinds, trumpets), bass (strings, tubas) ... let all of them grab their "union scale pay."  Don't leave any of 'em out.

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