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john

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Everything posted by john

  1. Welcome to the forums Diana June :)

  2. john

    Welcome to the forums nicki :)

  3. Welcome to the forums Alyna Dinh :)

  4. Welcome to the forums Tom George Tavener :)

  5. john

    Welcome to the forums roof :)

  6. john

    Welcome to the forums ruth :)

  7. Welcome to the forums thevividfl :)

  8. Welcome to the forums DuhSpeshulyst :)

    1. DuhSpeshulyst

      DuhSpeshulyst

      Thank you very much! I'm here because I am looking to collab with songwriters. Eventhough I think I have great ideas for songs too, I want to work with other songwriters and singers to create songs instead just possessing a bunch of music.

    2. john

      john

      it's a good approach. even the top in the industry collaborate with other writers :)

    3. DuhSpeshulyst

      DuhSpeshulyst

      Yes! so thats my purpose here.

  9. Welcome to the forums addictedtonoise :)

  10. Welcome to the forums cecebenito :)

    1. cecebenito

      cecebenito

      Thanks John. Glad to finely take the plunge!

  11. Welcome to the forums strangeducation89 :)

  12. Hey Bram, welcome to Songstuff! I think your English is excellent, and you certainly communicate in English far better than I can communicate in Dutch. (Not difficult as I can't say much and I can write none ar all!) Good to have you aboard.
  13. john

    Welcome to the forums Amoon :)

  14. Welcome to the forums Sebastiaan van Rulo :)

  15. Welcome to the forums Daniel Abbott Palmer :)

  16. Welcome to the forums Goldwing :)

  17. john

    Welcome to the forums Samir :)

  18. Welcome to the forums Hannah :)

    1. Hannah

      Hannah

      Thank you, john!

  19. Btw, I am enjoying talking about it all!
  20. You kind of missed the point. I wasn't saying rap like Eminem, any more than I would say to a lyricist write like John Lennom, but you can learn lessons from them, use the same tools, just in your own way. Just as all rappers are different, so sure all lyricist and songwriters, of course they are... They are different people lol Oh and you are wrong, I like all forms of music pretty well, from rock to rap, blues to classical, folk to jazz to EDM and you will find plenty of all of it in my music collection... But maybe, just maybe it might be worth asking yourself if perhaps you are too biased towards rap? I am saying we are the same, there is nothing so uniquely rap that it stops a rapper from also being a lyricist. In much the same way an indie car driver and a formula 1 driver both race cars. They each have stuff that they deal with that is unique to their sport, but most of what they do is common, they drive a car quickly around a track for so many laps competing with other drivers to cross the line first. You on the other hand seem to have a very blinkered view that is so rap focused that you aren't getting the big picture or how rap fits within it. I find it interesting that you describe me and think of me as biased for saying that rappers are the same as other songwriters, whilst you are determined that rappers are something unique in music, and that somehow unless i have lived the life I have little idea about what it is really about. I never mentioned perfection, but like you I was talking about improving. So we agree on something! Lol I have studied music since I was 4 years old. I didn't limit myself to studying rap. As a result when I read a non-rap song I pick up rhythm. When I read a rap song I pick up rhythm. It makes no difference. I have no prejudice. I have ears and a lifetime listening to musics of all kinds, of people speaking in many ways to refer to. I am not unique in this by any means. Musicality transcends the medium. My point is, it would seem to be your lack of experience with non-rap music that is making it appear different to you, hard to grasp, not the art form itself.
  21. I would to a degree, disagree. Lol While not always entirely accurate, as pauses are hard to determine the length of in some circumstances, you can compare relative rhythms with some success. The reason is "scansion". In essence this is the rhythm born from the natural phrasing of speech. Certainly that can be affected by the rapper or singer's accent, but the words and phrases tend to be affected equally. This means that while reading a song you may not get the exact rhythm used by the performer, you are likely to be close.... Especially if the writer takes the time to format the song so that their words are laid out in basic rhythmic blocks writers call lines, verses and other section types. That is precisely what laying it out helps with. If you write it out as prose, as many rappers do, it robs it of that communication of rhythm, instead relying on the less precise rhymes to set the beat. I say less precise because an individual line might use internal rhymes which can muddy the rhythm in prose. Scan is our biggest clue to rhythm. Rhyme helps to accentuate the key beats. The written lines and multi line blocks help further communicate rhythm. My point, is that for critique purposes the word is written, not spoken. The rhythmic problems you describe exist for all song forms, not just rap. I can understand that rappers may look for feedback on concepts, tricks of language and flourishes, but just because they have not learned to communicate rhythm when writing, does not mean they can't, nor that in doing so that it wouldn't be a worthwhile benefit. I repeat, the issues you describe exist in all other written art forms from poetry to songwriting, including rap. In poetry it is called meter. Out of interest scansion is hugely important. Even sung we almost always phrase things in the same rhythmic patterns we use when we speak the same words. Sure tempo may be faster or slower, but the rhythm is essentially the same whether we speak, rap or sing. Of course when we sing or rap we also block words and phrases together and then perform that in relation to a backing track that contains at least a backing rhythm and usually some other musical elements like melody and harmony etc. I have heard some excellent raps, and I have heard many terrible raps. One of the several key points is that of the rhythm used. Get it wrong and it can trash a song as easily as a cheesy metaphor and weak or overdone rhyme scheme. Look at "I'm back" by Eminem (fair use for learning purposes) [Chorus: Eminem repeat 4X] That's why they call me Slim Shady (I'm Back) I'm Back (I'm Back) (SLIM SHADY!) I'm Back [Eminem] I murder a rhyme one word at a time You never, heard of a mind as perverted as mine You better, get rid of that nine, it ain't gonna help What good's it gonna do against a man that strangles himself? I'm waitin for hell like hell shit I'm anxious as hell Manson, you're safe in that cell, be thankful it's jail I used to be my mommy's little angel at twelve Thirteen I was puttin shells in a gauge on a shelf I used to, get punked and bullied on my block 'til I cut a kitten's head off and stuck it in this kid's mailbox ("Mom! MOM!") I used to give a - f*ck, now I could give a f*ck less What do I think of suc-cess? It sucks, too much press I'm stressed Too much stares two breasts, too upset It's just too much mess, I guess I must just blew up quick (yes) Grew up quick (no) was raised right Whatever you say is wrong, whatever I say is right You think of my name now whenever you say, "Hi" Became a commodity because I'm W-H-I- -T-E, cuz MTV was so friendly to me Can't wait 'til Kim sees me Now is it worth it? Look at my life, how is it perfect? Read my lips bitch, what, my mouth isn't workin? You hear this finger? Oh it's upside down Here, let me turn this motherf*cker up right now [Chorus] [Eminem] I take each individual degenerate's head and reach into it just to see if he's influenced by me if he listens to music And if he feeds into this shit he's an innocent victim and becomes a puppet on the string of my tennis shoe [vocal scratches] My name is Slim Shady I been crazy way before radio didn't play me The sensational [vocal scratch "Back is the incredible!"] With Ken Kaniff, who just finds the men edible It's Ken Kaniff on the, internet Tryin to, lure your kids with him, into bed It's a, sick world we live in these days "Slim for Pete's sakes put down Christopher Reeve's legs!" Geez, you guys are so sensitive "Slim it's a touchy subject, try and just don't mention it" Mind with no sense in it, fried to get so frenetic whose eyes get so squinted, I'm blind from smokin 'em with my windows tinted, with nine limos rented Doin lines of coke in 'em, with a bunch of guys hoppin out all high and indo scented (inhales, exhales) And that's where I get my name from, that's why they call me [Chorus] [Eminem] I take seven (kids) from (Columbine), stand 'em all in line Add an AK-47, a revolver, a nine a Mack-11 and it oughta solve the problem of mine and that's a whole school of bullies shot up all at one time Cause (I'mmmm) Shady, they call me as crazy as the world was over this whole Y2K thing And by the way, N'Sync, why do they sing? Am I the only one who realizes they stink? Should I dye my hair pink and care what y'all think? Lip sync and buy a bigger size of earrings? It's why I tend to block out when I hear things Cause all these fans screamin is makin my ears ring (AHHHH!!!) So I just, throw up a middle finger and let it linger longer than the rumor that I was stickin it to Christina Cause if I ever stuck it to any singer in showbiz it'd be Jennifer Lopez, and Puffy you know this! I'm sorry Puff, but I don't give a f*ck if this chick was my own mother I still f*ck her with no rubber and cum inside her and have a son and a new brother at the same time and just say that it ain't mine, what's my name? [Chorus] [Eminem {vocal scratching}] Guess who's b-back, back Gue-gue-guess who's back (Hi mom!) [scratch] Guess who's back [scratch] Gue [scratch] guess who's back D-12 [scratch] Guess who's back Gue, gue-gue-gue, guess who's back Dr. Dre [scratch] Guess who's back Back back [scratch] back [scratch] Slim Shady, 2001 I'm blew out from this blunt (sighs) f*ck First thing you see is that it is blocked out in verse, chorus and other sections. Second you can see that within a verse that too is laid out in lines. Those lines give the key rhythmic statements. Next you can look within the line and the emphasis through the use of alliteration, rhyme and other accents, where emphasis is placed within the line. Additionally we can see how rhythmic pattern are repeated as hooks through the song. That level of detail is as important as the metaphors, the emotion or the story when it comes to writing well. My problem, in all honesty, when I look at rap that isn't formatted in this way is that the writer hasn't learned the importance of this level of detail, and that it is an indication of their lack of experience as a writer. This shows in writers of all kinds in different ways. For some reason in rap the myth that detail is unimportant is shown, often, by thinking that somehow it is such a different art form that suddenly the rules of language aren't helpful or that writing them down is of limited help (limited to concepts, metaphors etc) The fact is if they can't appreciate the detail in the written word, then usually they miss it in the spoken word and vice versa. To me I think much of it is that it involves rules, and somehow writing it seems too much like hard work. Fact is, to hone what we do, to turn it from mediocre to amazing, we NEED to care about the detail. Hell, if Eminem can do it for his songs, surely other rappers and hip hop emcees can do it too knowing that it can be done. In truth, I just don't see in any shape or form why rap is any different from any other form of lyrics and songwriting. It isn't. Rap is the combination of words and rhythm. Add in melody (it exists even when words are not sung, in the same way drums can convey simple melody). How is this different from any other form of song writing. It isn't. In exactly the same way that other lyricists can benefit from a close and structured analysis of what they do, so can rappers. Telling yourself it isn't so doesn't make it true. Continuing not to just continues to miss the detail, or even why that detail is important. It is easy to keep focusing on the obvious. That too is true for any art form. As any musician can tell you that gets passed the basics, to improve take focus on the detail, otherwise you are always a beginner in terms of performing that instrument. True you can progress at metaphors or the use of interesting progressions, but you miss getting good at licks and much more. So yes get good at the story and the emotion and the tricks, but to get it to all hang together as a complete piece rakes an eye for detail. The ability to spot what is breaking a piece, or what is missing, takes knowing detail. Using structure, line and section, helps you to do that. No question. If you can't communicate it in writing, you don't truly "get it". If you don't get it, you will never use it to it's most effect. Can you get pretty good? Sure. But you will miss being amazing. As a rule, if it is hard to do, it is often worth it. Not just because of the destination, but because of the journey to get there. Just my two cents.
  22. Welcome to the forums Hpayne1 :)

  23. Welcome to the forums fuschiaorchid :)

  24. Welcome to the forums CliffRoy :)

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