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    Build Your Fanbase

     

    The Problem(s)

    Without a strategy to gather, store and keep fans, you go nowhere. Every release my introduce people to your music, however social media is far too loose and undependable as a place to store fans. Communication with followers is far too unreliable. What about music platforms like Bandcamp? They do give you a lot is great features but so far none of the key music platforms give you effective tools for the most fundamental processes:

     

    • Adding fans
    • Engaging fans

     

    It isn’t adequate enough to give you a shopfront to sell to fans. The simple email newsletter they provide is far from adequate enough to engage fans either.

     

    No matter if you use social media as your fan hub or your music profile newsletter as your fan hub, neither gives you the tools or process to adequately gather, store and keep fans. In fact, often the rate of gaining fans is undone by the rate of disengaging fans. This means each song release doesn’t move you forward. You remain stubbornly stuck with very low growth in fan numbers, which is misleading because it doesn’t tell you the rate of disengaging fan numbers.

     

    Both platforms are also plagued by follow-for-follow artists. These people ARE NOT your fans. Ok, generously a few might be, but almost all ARE NOT your fans. Such fan lists may grow but most will never listen to your music. The fan numbers are more about stoking your vanity. You can easily tell if this is your list. The symptoms are:

     

    • Your fans are completely disengaged
    • When you release a song, it gets almost zero response
    • Even your comments section is pretty dead

    In other words, they do not behave like fans, because… THEY ARE NOT FANS.


    The Concept

    To build your fan base you need a few basic ingredients to create a simple concept to achieve that. You need:

     

    1. To find more people to listen to your music (Discovery)
    2. To add some of those people to your fan base (Engagement and Conversion)
    3. To retain as many of your existing fan base

     

    To turn this into a finished strategy you need to move on from a basic concept to a more detailed version that specifies how you would do it.


    How do we do this?

    To collect fans we need a method or process to gather them, and fundamentally we need a place to gather them. Lastly, we need a way of keeping them, and more importantly, that means keeping them engaged.

     

    To find more people to hear your music you need to:

     

    • Increase your reach
    • Target your audience

     

    To add people you need an effective process that takes them from strangers and turns them into fans.

     

    To retain fans you need a process that keeps fans engaged with your music.

     

    A big part of achieving these last two is an email list that provides a fully featured autoresponder. This is something that NONE of the band platforms provide. Your mailing list is one of your most important assets, yet what band platforms provide is way below par, way below what is required.

     

    Beyond that, you will need a number of components from content to reach listeners and the format that content should be presented in, to the content and process of turning them into fans. You will need to learn how to use your autoresponder effectively. You will also need to know how to build buzz about your content.

     

    Above is just the fundamentals. All should be implemented BEFORE you focus on anything else, like reviews, radio and podcast airplay etc

     

  • Our picks

    • A warning on the future of music
      Hey
       
      As ever, an interesting interview by Rick Beato with American music critic and historian Ted Gioia.
       
       
      Interesting. Any thoughts?
       
      cheers
       
      John
       
        • Thanks
      • 25 replies
    • Hey gang
       
      I thought it would be a bit of fun to post up old pics… namely, photos of you, aged 20! Are you game?
       
      So here I am in 1987, rehearsing with my band, The Outside Edge…
       

       
      That’s me on the guitar.
       
      Cheers
       
      John
        • Like
      • 23 replies
    • Hey gang
       
       I know a lot of people have had a lot of extra time on their hands. At the same time I am aware of a lot who sit in perpetual boredom, who have largely wasted their time.
       
      What about you? Did you add to your skills? Add to your song or composition collection? Did lockdown light a fuse under your ass?
       
      Cheers
       
      John
        • Like
      • 7 replies
    • Lemme start with a few that I use
       
       
      CAKEWALK BY BANDLAB : https://www.bandlab.com/products/cakewalk
       
      I've alread created a topic on this on this very board. I've used many DAWs before Cakewalk but after switching to Windows, this has been my constant and only choice. Not that there aren't great alternatives, but for a free software - it's the most robust, full fledged DAW you can get! I was particularly impressed by how good the virtual instruments are on this. If you haven't tried Cakewalk yet, you totally should. And if you're an old SONAR user who wants to share some thoughts, feel free to do so here : https://forums.songstuff.com/topic/55230-any-cakewalk-users-here-i-just-started-using-it/
       
       
      Spitfire LABS : https://labs.spitfireaudio.com
       
      Spitfire Audio has been a godsend for virtual instruments and sample libraries for many years now. So when LABS was first announced as an unending FREE series of instruments and sounds, I was very quick to latch on. I've used it for a couple years now including on my previous single "Fading Colours". I recorded this in my old room last year during lockdown. The piano and strings used for final part of the song was from LABS. Fading Colours :  https://www.youtube.com/watch?v=yDGy3X4tT-0
       
       
       
      Wider : https://polyversemusic.com/products/wider/
       
      I used to do all kinds of things to work with the spatial width on my tracks. Some worked well, some would bring about phase issues on which I'd spend a lot of time investigating. Sometimes I'd end up rolling things back to the way I started. That is until recently when I discovered Wider and it's such a hassle free, straight up piece of software. It handles phase really well unless you crank things up too much but more than anything, it's quick to turn on or off while I'm trying to bring some life into my sounds when needed. You should totally have it handy.
       

       
       

       
        • Like
      • 14 replies
    • Hi Gang
       
      Thought I would ask a few basic questions about how you feel about indie music.
       
      Please take part!
       
      As well as voting, please feel free to add comments.
       
      Cheers
       
      John
        • Like
      • 27 replies

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    • Unfortunately, with limited resources and very little free time, things are progressing at a snail's pace. It will be a while before I have anything to show for my effort unfortunately... but when I have something, I'll be sure to post it.  
    • hi Gang   This forum has helped thousands of songwriters to refine their songwriting skills. There’s a lot of useful knowledge stored within these boards. There’s a lot of useful Songwriting knowledge retained by our members! Why keep it all to ourselves? The best way to help other songwriters, and to help our community grow stronger, is to bring those songwriters into our community as new members. If you have friends who are keen songwriters, invite them over!   Together, we can build a community where feedback flows freely, where every lyric, melody and verse can be polished to perfection with collective insight. Through the flow of exchanging skills and knowledge we expand our own knowledge and abilities, while helping others to do the same. Add to that, who doesn't love more songwriting challenges and contests? Lol   Bring your songwriter friends into our community and together we can make the Songstuff Music Community into the community we want it to be, and the community we all deserve!   Cheers,   John
    • Hey Gang   Getting started in music production can be pretty daunting journey. There's so much to learn, from choosing the right software to understanding mixing, mastering, and beyond. For those who have been in the game for a while, you know the ropes and probably have some valuable insights that could help newcomers navigate these waters more easily.   What advice would you give to someone just starting out in music production?   Whether it's a practical tip, a motivational message, or a resource you found invaluable, your knowledge could be incredibly helpful.   Here’s what you could include in your reply: Essential beginner tips: What are the fundamentals you think every newbie should know? Common pitfalls: Are there any mistakes you see beginners make that can be easily avoided? Helpful resources: Any books, websites, courses, or tutorials that helped you out in the early days?   It would be good if this thread could serve as a beginner's guide, crafted from all of our experiences. It would be great if we create something that can make the start of their music production journey a little less overwhelming and a lot more interesting!   Looking forward to your pearls of wisdom! Let's help the next generation of producers make some noise!   Cheers   John
    • There’s an axiom in the music industry - A successful song is 80% music marketing and 20% music.   That’s broadly how the industry feels about it. Then there’s the large pool of independent unknowns who believe that their music should be enough. I wonder how that is working out?   There’s another large contingent who believe music should be free (largely because they don’t think people would buy their own music, and they are already giving that away for free and still have a teeny tiny audience!).   I think a better ethos is to give your music the marketing you think it deserves.   If you can’t give your music away for free, something is wrong. Often, it has absolutely nothing to do with the music itself, and that is a great pity.   Cheers   John
    • Hi and a big welcome to Songstuff Fools acquisitions! An interesting writing process, using AI. I’d be interested in how you incorporate AI in your writing process. I look forward to seeing/hearing your songs!
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